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While the practice of celebrities sharing the spoils of their bottomless bank accounts on social media is far from a new phenomenon, Conor McGregor 's penchant for separating the "haves from the have-nots" is in a category unto itself. As quick as McGregor is to build up the hours he spends in the gym and the steel-like mental fortitude he possesses, the Dublin-bred fighter is just as trigger-happy when it comes to shutting down his detractors. Cocky, brazen and more than self-assured, nothing is off-limits when it comes to McGregor dragging his opposition.
After running for only five months, the Milch Gallery closed on November 24, Fifteen months later, it reopened as just Plain Milch, less than half a mile from its original home. At a time which has proved less than propitious for art in general, the return of the organisation with the silliest name in London has been hailed by some as the beginning of the end of the recession.
An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 Junewith works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering, Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London 12 June—15 September surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.
As an artist, I am trying to make the World a more Beautiful place. It may sound Naive, but I keep on trying until I Die. Watch my Pain-things, hope they make you Fly
In the middle of her new exhibition, in which the most arresting piece is a looped animation of drawings that depict a woman masturbating, Tracey Emin explained that sex is loosening its grip as her 50th birthday looms. But now it's fading fast. I don't have the same craziness about sex that I had — I'm more interested in ideas. The artist was haloed by a pink glow emanating from a neon piece in the next room.
The exhibition confronts her oeuvre, produced over the span of more than five decades, with works by over 40 artists from Poland and countries of the former Soviet Bloc. This approach makes it possible to not only carefully analyse the transformations which female self-portrait has undergone in art history, but also to polemically decipher the practice of the main featured artist. Based primarily on photography, video and actions for the camera lens, the exhibition concentrates on the moment when female artists aim the camera at themselves.